New projects and announcements

Apocalypse Soon was a huge success at Ghost Light Theatricals Battle of the Bards. My cast killed it, as they were destined to do. And even though we didn’t win Battle of the Bards, all three shows broke $1500 in donations which is something that has not happened in Battle of Bards history. Here is the final score for those who who are desperate to know how the whole thing turned out. The winning show, Paper Bullets, is going to be an awesome experience written by the very talented John E. Allis who currently writes for The Seattle Star and blogged for the last 14/48. You can look forward to seeing Paper Bullets next season at Ghost Light Theatricals!

Done with one show and on to the next. I’m pleased to announce a new project. I will be directing at Stone Soup Theatre’s Double XX Festival a short piece written by Deborah Yarchun called Streakers.

As of right now the show is slated to perform on the second weekend of the festival, April 26th – 29th. Streakers blends ritual, sex, and humor centering around the death of a pet. General auditions for all Double XX Fest pieces are coming up on the 18th and 19th of February if you know someone who would be interested in participating in any of the fantastic shows directed by Seattle women.

My playwrighting class is coming to close which means there will be a showcase of student work. As of right now, the date is set for Friday, February 24th at ACT Theatre. The showcase will feature ten minute selections from all the students in class. This class has been absolutely extraordinary, and I would encourage any writer in the Seattle area to take it. For the showcase, I’m preparing a scene from a new work, tentatively titled, Slip. Here’s a short excerpt:

ALANA
That’s just it. It’s like I remember something. Like that word on the tip of your tongue. When my mom said his name

MEL
What was it?

ALANA
Sorry

MEL
His name?

ALANA
Hal.

MEL
Hal?

ALANA
Hal.

“Little bunny foo-foo” plays on out-of-key piano. It’s out of joint.  An EASTER BUNNY comes across stage hiding eggs. ALANA can hear the music and sees the BUNNY. 

MEL
We could try to find a picture. See if it will jog your memory. If it means something to you. I want to help.

ALANA
No. I’d rather just

MEL
You okay?

ALANA
Huh?

MEL
What’s the matter?

ALANA
Did you see

MEL
I’ll make you tea.

EASTER BUNNY satisfied with the placement of eggs, exits. Music stops. Light shift.
Slip.
ALANA’s childhood house. She is sixteen and drunk.

ALANA
Tea?

MOM
You’ve been drinking tea?

ALANA
Mom?

From the stage directions: “A slip is a shift in time, not a flashback. It is as if ALANA is falling through memories but is still also active in the scene happening in real time. Sometimes, these moments take a minute of adjustment for her, and sometimes they are immediately understood as current reality.” I’m quite excited about this play and curious to see how it develops.

I have not forsaken the writing of responses to shows, but I’ve been going to so many, I have had barely enough time to sleep between my full-time job, seeing shows, rehearsals, reading, and writing plays. Excuses, perhaps, but I may write a brief rundown of all the shows I’ve seen this year, which I think is already in the double-digits.

And finally, I may have a dramaturg gig lined up for the foreseeable months. More on that to come after the workshop readings of the play in question.

It is an exciting time for theatre in Seattle, especially with the announcement that Intiman Theatre will be returning this summer for a short festival of works. As someone who used to work at Intiman, I could not be happier about this announcement and am particularly excited to see the roster of artists involved. It should be an amazing year for Seattle Theatre.

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